Nursery Rhyme add an IMportant CLue to this Story

Monday’s child is fair of face

Tuesday’s child is full of grace,

Wednesday’s child is full of woe,

Thursday’s child has far to go,

Friday’s child is loving and giving,

Saturday’s child works hard for a living,

But the child who is born on the Sabbath Day

Is bonny and blithe and good and gay.

—old fortune-telling nursery rhyme, 1838

Roud Folksong Index, #19526

The answer to the mystery of Grace McAllister’s paternity lies in this nursery rhyme but she has yet to decipher it.

Tuesday’s Child is a romance but it’s also a bit of a thriller and a mystery. It’s a return to a town which was the setting for Jericho Road, a story set in the South in the Vietnam era. It’s now forty years later, and Temple, GA, is still filled with scandals…some of them completely unknown to the populace of a town where “everybody knows your name.”

Grace McAllister has neither seen nor heard from her father since her mother took her away twenty years before.  Now, Benjamin Troup McAllister is dead and Grace is invited to return to Temple, Georgia, for the reading of his will.  She’s in for more than the culture shock of a small Southern town, however, for not only does she inherit nothing, but her father’s will also denies his paternity.

The lawyer cleared his throat once again, more out of nervousness this time. “…the matter of Grace Stephanie McAllister…” He hesitated an instant, then continued, “If you are present at this reading, as I imagine you will be, out of curiosity, if nothing else… I leave you… Nothing.”

What? I visibly jerked. Nothing? I came all this way for nothing?

“Though my name is on your birth certificate, you are not my daughter,” Mr. Simmons plowed on, not looking anywhere except at the will now.

Enlisting childhood friend Mayfield Donovan, Grace attempts to find her real father. 

“What are you going to do?”

“Finish my breakfast.”

“About your father?”

“You mean the real one?” He nodded. I thought about it.

“What can I do?”

“Find him.” He made it sound so simple.

As a child, May was the bully who made Grace’s life a living Hell. He knocked her down, skinned her knees, took her for a bike ride and left her to walk home alone.  As a man, May’s done an about-face. Tall, handsome, and apparently eager to help ease Grace’s pain—in any way possible—he’s there for her and ready to do whatever it takes to help her discover who her father really is. It isn’t long before the two make another very important discovery having nothing to do with their investigations…

“I don’t know what the Hell’s happening. I just know from the moment I heard you were coming back I couldn’t believe it. I wasn’t in front of the Manor by accident that day. I love you, Gracie.”

As they sift through the facts of her mother’s life and the men who loved her,  they uncover a tale of revenge, deception, and murder, and discover a truth neither wants to believe or accept…

Tuesday’s Child is a more closely-knit story because it involves only two people as opposed to Jericho Road which encompassed an entire family.  Both May and Grace’s thoughts and inner processes are important to the plot as are their relationship to each other and to everyone else in Temple, a place where everyone knows almost everything about everyone else…except in this case, the name of the man who is Grace’s father.

EXCERPT:

He was silent for exactly two seconds. “Know what you should do now?”

“Wha’?” I didn’t open my eyes. I had come to the Manor's bar to drown my sorrow and by God I was going to do just that...one Tom Collins at a time!

“Go to bed. Come on.” I heard him push back his chair and stand up.

Go to bed? Great idea. I knew just who I wanted to do that with. Before I could tell him, however, I felt his hand on my arm. “Up you go, Gracie. You’re almost out. Time for beddy-bye.”

He frogmarched me outside and around the corner to his car.

I fell into the Mustang, managed to fasten my seatbelt, then sat there, eyes closed, leaning against the headrest. As before, May didn’t start the car right away, and I had a feeling he was sitting there studying me. When the engine finally came to life and we were moving, I forced my eyes open.

“I know m’ sense o’ d’rection’s slightly off-center, but isn’t th’ Manor th’ other way?”

“Give the girl two points. You’re not going back to the Manor.”

“Where’m I goin’?” I studied the buildings flying by. May was driving pretty fast for the business district but it was fairly late and maybe there were no cops lurking in one of Temple’s alleys just waiting for a certain Mustang to zoom by. No prob for me if there were. I might be snockered but I wasn’t driving. Thanks goodness.

“Home. With me.” My heart gave a jump but his next words knocked it back into place. “You don’t need to be alone tonight, Gracie.”

“Oh? Just whatcha got in min’, Mr. Donovan?”

“Nothing but your welfare, Miss McAllister.”

“Not McAllister,” I corrected, managing to squeeze out a tear that had survived being a victim of the other inundations. Now it was being sacrificed to self-pity. “I’m… Damn it, May. I dunno who I am now.”

He didn’t answer and I shut my eyes and stayed quiet. I didn’t open them until the car stopped some twenty minutes later. What I saw was the now-familiar front porch of Chez Donovan.

He had to help me out of the car. Sitting still for so long had a bad effect on my muscles. They wanted to stay relaxed. After I’d twice taken two steps and had my knees buckle, he sighed and swung me into his arms.

“Don’, May,” I managed to protest. “I’m too heavy.”

“Got that right,” he answered with an exaggerated grunt. “What do you weigh, anyway?”

“Dunno…” I managed a drunken shrug and nearly flung myself out of his arms. His grip tightened. “Hunnert…ten?”

“Is that all?” He was laughing now. “Could’ve sworn it was at least a hundred and eleven.” He carried me up the steps. “Can you stand up while I get some sheets?”

“Gonna lemme see th’ upstairs now?”

“There are three guestrooms, Gracie.” It was said so patiently. “You can have your choice.”

“Then I wan’ th’ one you’re sleepin’ in.” There. I said it. No mistaking my meaning.

“Gracie…”

“Th’…whatchacallit?” I went on, determinedly. “Th’ Master bedroom. I wanna sleep with you, Master May.” I reached out, intending to pat his cheek. Instead, I swatted his chin.

“You’re drunk, Gracie.” Still holding onto my arm, he dodged easily. Why was I surprised he was fighting it? Could it be he didn’t want me as much as I was convincing myself I wanted him? At this point I didn’t have to do much convincing. “You don’t mean that.”

“Yep, I do, an’ no, I’m not. See?” I pushed away from him, holding up one hand, thumb and little finger pressed against my palm. “Three fingers.” I closed my eyes and tapped the end of my nose. “Co’rdination fine.” I opened my eyes again, looking up into those brilliant copper ones. “Take me upstairs, May.”

I’m so damned eloquent. Guess I convinced him. He stared at me for just one breathless moment that was so quiet we could’ve heard the beams shifting and the clock ticking on the mantel…if we’d been listening. All I could hear was May’s breathing and a louder sound coming from inside me, the pounding of my heart. It drowned out the world.

Tuesday’s Child is available from Class Act Books.

Link: http://www.classactbooks.com/index.php/component/virtuemart/romance/tuesday-s-child-pdf-detail?Itemid=0

Icy Snow Blackstone is the pseudonym of Toni V.Sweeney. She is also the author of Jericho Road, Bargain with Lucifer, Brother Devil, and Gypsy Charm, romances all set in the South. Her paranormal romance The Irish Lady’s Spanish Lover will also be released by Class Act Books later this year.