Hi everyone,
I've been knee-deep in edits and have to jump back in again. Apparently my first book in my "hero series" needs more emotional conflict, and I would like to share the first chapter with you, and humbly ask for suggestions and guidance. I would be forever grateful, if anyone out there could lend some support and help me get this contract that's dangling before my eyes.
The title is A HERO LIES WITHIN.
Here is the first chapter--
CHAPTER ONE
“Kari, can you
come into my office?” Tom Delaney spoke in a hushed tone that Kari Winslow knew
meant trouble. He stood behind her desk, looking none too happy.
Kari worked for
the Palm Beach News channel as the morning and noon anchor, and Tom was one of
the producers. That meant that along with editing the news, deciding on
content, and numerous other tasks, he was also in charge of the hiring and
firing of his staff.
“Yes, sir,” Kari said. “I’ll be right there.”
Her stomach jumped and her palms were damp, but she smiled at Tom, putting on a
brave front. She’d always liked and respected him, and she wanted to make his
life easier. Even if he was firing her.
She stood up,
straightening her jacket and smoothing her skirt. She wore a lemon-colored
Armani suit that she’d bought on sale at the end of the season last year. At
least she still had enough pride to look like a competent TV news anchor, even
if she didn’t sound like one.
She followed
Tom into his office and closed the door behind her.
Tom whirled on
her. “What’s going on with you, Kari? This is the third time this week you
flubbed a line. You’re a professional, for Christ’s sake!”
Her jumpy
stomach did a butterfly kick. She looked into his eyes, hoping to see a little
compassion. If it was there, it was well hidden. She considered her options:
attack or defend. “I don’t know what to say. Except that Jeremy—“
“Jeremy, what?”
he growled. “You can hardly blame him if you screwed up. All you have to do is
deliver the lines. If you can’t do that, we’ll find someone who can.”
Dammit, she
needed this job, and if Tom fired her, what would she do?
On the other
hand, she had blown her lines and deserved whatever happened to her. Not that
it had been her fault. Not entirely. When Max Hammond, their evening anchor,
had suffered a fatal heart attack, Tom had brought Jeremy Chandler in to
replace him. Everyone in the news station had known she wanted Max’s job. She’d
been around the longest and deserved the promotion, but it had been offered,
conditionally, to Jeremy instead. He’d moved from Chicago to join their
network, and according to Tom, they were lucky to get him.
Kari knew he’d
only committed to a one year contract to try out the market, but the network
hoped to extend the contract to five years. As of now, the terms had not been
agreed upon, so she had a limited time to convince her boss that she was the
better person for the job. Trouble was, around Jeremy, she wasn’t stellar. He
unbalanced her, threw her off her game, and she had no idea why. For her to
stammer and mispronounce a word was unthinkable. Unacceptable. She’d better
shape up fast if she hoped for even a chance at the nightly news.
“All I can say
is I’m sorry.” Her chin went up and she met his gaze head-on. “Jeremy stopped
by to deliver me a personal message--right before my noon report. I knew he was
trying to upset me.”
“I don’t care
what he said. You can’t let your emotions affect your work.” Tom’s ruddy face
grew even redder, and she suspected his rising blood pressure was brought on by
stress--namely her. “You’ve been here long enough for me to know that you’re a
professional, but something or someone is distracting you. Have you and Jeremy
got something going on that I should know about?”
“Holy crap,
Tom. No! I don’t even like the man.” She remembered her reaction the first day
he’d stepped on the set. For one startling moment, he’d reminded her of the one
man she could never forget. His strong face, his dark hair, the color of his
eyes were all Jake. Then he’d opened his mouth, and the resemblance was gone.
“Well, what is
it then?” He settled into his chair, folding his large freckled hands over his
wide girth.
“He’s an ass.
He thinks I’m an amateur who doesn’t belong in the same room with him.” Kari
sat down in the chair opposite him, acting nonchalant, even if her heart was
hammering like a woodpecker on speed. She crossed her legs and leaned back too.
“I miss Max. He got along with everyone; the newsroom had this easy, relaxed
atmosphere. With Jeremy, it’s just different. He rubs everyone the wrong way.”
“It sounds like
you need an attitude adjustment. The station’s offering him a five-year
contract, and it’s in your best interest to get along.” Tom’s bushy brows
furrowed, and he glared at her. “Get your act together, Kari. I can’t have you
stumbling over your words anymore.”
“I know. It
won’t happen again.”
She’d make sure
it didn’t. It wasn’t like there were dozens of TV networks in the vicinity
aching to hire her. It was a small community of professionals, and the
competition was tough. That was part of the reason she wanted the evening
anchor job; it would give her better job security and a higher salary. Plus, it
would provide greater visibility, more exposure. And one day, her sister might
see her and come home.
“One more
thing,” Tom said in a gentler voice, as if he’d read her mind. “This missing
children series of yours. You know I’ve always been a big fan and it boosted
our ratings at the beginning, but people are tired of it. They want a feel-good
story.”
“A feel-good
story?” She felt sick inside. That was
exactly what Jeremy had told her—that the station was axing her special half
hour show. She’d thought he’d only said it to upset her. Which it had. His
timing had been perfect.
“Come on, Tom.”
Her gladiator spirit rose to the occasion. She knew when to pick her fights,
and this was one of those times. “I’m doing something really important here.
I’m bringing attention to missing children and runaways, closed cases that the
authorities have given up on.” She fought back the feeling of panic. He
couldn’t do this. Her sister was still missing.
“Please
reconsider, Tom. This series has done a whole lot more than boost our ratings.
We’ve actually found a few missing kids since we started this show.”
He shook his
head. “Sorry. George and I talked about it, and we’re in agreement. It’s done.”
“George? He
never said a word to me.” George Collins was Tom’s boss, the executive
director, and he’d even congratulated her on a good show after her weekly
broadcast last Friday evening.
Her temper
flashed. “This isn’t right. We’ve brought children home. How ‘feel good’ is
that?”
“Look. I know
you have a personal motivation to keep this series alive, but we can’t let our
emotions get involved with our decision making. The show has lost its oomph. We
need something to engage our viewers, and it’s not stories about runaways.
Nobody gives a shit anymore.”
Kari’s already
bouncy stomach seemed to plummet, and a dull but familiar pain spread inside
her. She held on to the edge of the desk to steady herself. Gladiators didn’t
buckle. They held their ground. “You really mean this.” She stared straight at
him, letting him see her determination, but her mouth trembled. “Don’t you?
You’re really cutting the show?”
“I’m sorry.”
Tom looked away. “I know how much this means to you, but yes. We’re starting
something new the first of the month.”
Kari said
nothing, deflated beyond words. Tom stood and opened his office door,
signifying that she was free to leave.
She walked to
her desk, sat down for a moment to check her computer for messages, and avoided
the curious glances from her co-workers. She kept her head down, not allowing
them to engage her in conversation. Let them think what they wanted—she wasn’t
going to give them fuel for gossip. She kept her chin high as she walked past
the reception area and out the door.
Inside her car,
her chin quivered; her hands shook. Actually, her entire body trembled. How
could he do this?
After several
minutes, she inhaled and exhaled deeply and started the car. She had learned
long ago that some things were out of her control, and dwelling on them did no
good at all. If the show was cut, if she was fired, life would still go on,
whether she ever found her sister or not.
Routine was
Kari’s method of coping. So she coped. She made her stop at Publix on the way
home and picked up a package of skinless chicken breasts, a small pork
tenderloin, then headed for the seafood counter, where she asked for two nice
pieces of tilapia. Although she lived alone, she still bought enough of
everything for two. She liked to be prepared in case her sister Alaina decided
to come home, or her world-traveling boyfriend showed up. In any case, it
limited her trips to the store.
She grabbed a
package of asparagus, a head of broccoli, and a couple of packages of prepared
salads. Next on her list were a couple of bottles of good wine. Once she’d made
her selections, she checked out and headed home.
She drove a
late model Mercedes, and parked underground in her usual spot. She lived on the
fourth floor of a relatively new building in CityPlace, West Palm Beach, which
had nearly every convenience imaginable except concierge service. She entered the lobby and was dismayed to see
only one elevator available—the other in service for someone moving into the
building.
Balancing the
bags and her handbag, she watched the numbers as the elevator crept downwards
from the eighteenth floor. Patience was not one of her strong-suits, and she
pushed the button again as if that might hurry it along. Just then the occupied
elevator reached the lobby level and the door opened up.
“Hold that
elevator,” she heard a man shout.
Before she
could move, he rushed forward, wheeling a large suitcase and a dog
carrier. The dog was one of those small
yippy things, and it barked ferociously when Kari tried to slide past.
The man’s
suitcase bumped into her, and the bag holding the wine slipped out of her
hands, hitting the ceramic tile. Red wine splashed her legs and coated her new
pair of Manola Blahnik heels.
“Oh, my God!”
She let out a small cry.
“I’m so sorry.
Did I do that?”
“Your bag
bumped into mine.” She glanced up from her once-beautiful shoes and met the
eyes of the fellow who’d ruined them.
Jake. Her Jake.
He was back from war.
Her heart
speeded up; her mouth went dry.
How long had he
been home? Why had she not known? Not that they kept in touch, but still, it
was surprising she hadn’t heard a word about his return.
He had been her
first love, the first boy she’d slept with, and the first man to break her
heart. Of course, she’d been over him for years, and had a wonderful guy in her
life who she adored. Jake had been nothing but an unpleasant memory for a long
time. So why was she flustered at the mere sight of him?
He’d always
been the handsomest man she’d ever known. Tall, broad-shouldered, physically
fit, with a strong, square chin, flashing blue eyes, and a smile that could
make a woman drop her panties and never look back. But he was thinner now, his
thick wavy hair was shorn, and he looked older than he should.
“Kari.” His
eyes registered shock, which mirrored her feelings. “What are you doing here?”
“I could ask
you the same.”
She took a step
back, almost as if she were protecting herself, which was silly really. He
didn’t have the power to hurt her anymore. What had happened between them was
done. Over. Like yesterday’s rain.
“You owe me a
new pair of shoes.” She knew it was a ridiculous thing to say to someone she’d
once loved, and hadn’t seen in years, but it was the first words that popped
out. “They’re Manolos and they’re ruined.” Why was she talking about shoes? And
why was he here? She’d thought of him today. How strange that he should
suddenly appear.
“I’ll be happy
to buy you a new pair. This was an unfortunate incident.”
“You said it.”
She stepped around the broken glass, needing to put some distance between them
until she got her breathing under control. “I’ll get someone to clean this up.”
“Hold Muffin.
I’ll get someone.”
“No, the dog
hates me.” She eyed the quivering snowball with little pointy teeth, snarling
at her. “I can’t believe you have a poodle called Muffin. I thought you hated
small dogs.”
“Long story. I
just figured he had a right to live.”
“I didn’t say
he didn’t. But with you?”
Someone from
security showed up with a bag and a broom. “We’ll take care of this,” he said,
and proceeded to do so.
Jake held the
elevator door for her. “Go ahead. I’ll take the next one.”
“There’s room
in here for both of us.” She punched her floor number and stepped back.
Jake put Muffin
on the floor, and wheeled his bag in. He hit number three, one floor below
hers.
“So, I’m still
curious.” Kari spoke to his back. “Why this dog?”
“He was about
to be put down.”
“Really?” She
glanced down at the unfortunate critter. “Looks healthy enough to me.”
“He lost a leg.
Got out somehow, and was hit by a car. Tiffany, Dad’s new wife, decided to ease
his pain.”
“Tiffany? How
old is she?”
“I’m guessing
forty. I don’t know, but she’s a real bitch.”
“I’m sorry.
About your mother too.”
The elevator
stopped at his floor and he picked up the cage, and Muffin fell over.
“Well it was
nice seeing you again,” she said in a cheery voice. “Good luck in your new
apartment.”
He turned his
head and his piercing blue eyes held hers. “What’s your number? I’ll replace
your wine.”
“Don’t bother.
I can live without it.”
“I insist.
Where do you live?”
Her chin
lifted. “Four-0-four, but please don’t.” She didn’t want to see him. Not now.
Not ever.
He smiled, and
butterflies zoomed around her stomach. He’d always had that reaction on her,
and she would not allow that to happen again. Not for one damn minute.
“Goodbye,
Jake.”
He stepped out,
but shot her another glance. “I’ll see you soon.”
“Not if I can
help it,” she muttered under her breath.
She entered her
apartment, still feeling very unsettled by this unexpected encounter with her
old love. She’d successfully dealt with his betrayal and harbored no
ill-feelings for him, or so she’d thought. But running into him like this
brought it all back, the pain of losing him and her sister both, in that one
terrible year.
She poured
herself a glass of white wine from the open bottle in the fridge, kicked off
her shoes, and sat down on the sofa. She took a big sip of the Chardonnay,
hoping it would take the edge off, but knowing from experience she’d need to do
a lot more than that.
Feeling
restless, she got up and went out onto her poor-excuse-for-a-balcony. Her tiny
two-bedroom condo in CityPlace was across the bridge from the glorious mansions
in Palm Beach. She loved the fact that outside her door were several
restaurants and bars, a big movie theater, shops and boutiques, all situated
around a lovely and quaint town square.
Lots of people
were milling about during the pre-dinner hour. For several minutes she enjoyed
watching the activity. She spotted a few couples heading out for dinner, a
group of young women apparently having a girl’s night out, and several teenage
boys with their hats on sideways, pants falling down, waiting in the square
where some musicians were setting up.
She finished
her wine and went into the kitchen for a pitcher of water. Returning to the
living room, she dumped the water into a sick and gangly plant that looked like
it was about to take its last breath.
She headed for
the bedroom, unzipping her skirt as she did so, when the telephone rang. She
picked it up eagerly, seeing from caller ID that it was Sean. He was the
perfect boyfriend, intelligent, interesting, charming--and absent most of the
time. She was proud of the fact that he was an award-winning freelance
photographer, and thrilled that his career was as important to him as hers was
to her.
“Sean! Where
are you?”
“Hunan, China,
but we leave tomorrow.” His New Zealander accent was more accentuated when he
spoke quickly, as he was doing now. “We’re doing some shots on the Mengdong
River, and then a place called the Fairyland of Peach Blossoms. It’s been
really crazy for the past few days, that’s why you didn’t hear from me.”
“Tell me
everything. I miss the sound of your voice.”
“No time. I’m
rushing right now, but I’ll be in Beijing in a few days and can call again
then.”
“Sean. Don’t
hang up just yet. Can’t we talk a little longer?”
“Sorry, honey.
I’ll have more time in a couple of days.”
“Okay.” She
whispered half to herself, “I need you tonight.”
“What was
that?”
“Nothing.” For
just this once she’d like to unburden herself, but she knew and accepted the
fact that he lived with one foot out the door. “Do you know when you’re coming
home?”
“I can’t say
for sure, but it’ll be within the next couple of weeks. Maybe sooner.”
“Good. I have
so much to tell you.” She hesitated for a second, then blurted, “I miss you.”
“Glad to hear
that.” His voice deepened. “When I get home, we have things to discuss.”
“Like what?”
she said, suddenly on guard.
“Things that
need to be discussed in person.”
“Sean. Tell me.”
She wondered if he wanted to change the relationship. End it or step it up a
notch. Neither prospect appealed to her.
“Can’t tell you
right now, but you’ll know soon enough.”
“Okay. Be
mysterious. See if I care.”
“I miss you
too.” His voice sounded different, almost romantic, and it made her heart
yearn.
“Give my love
to Beijing,” she said to keep things light.
He laughed, and
they said good-bye.
She headed for
the bathroom to take her shower, feeling more unsettled than ever. Sean was a
darling, but they spent so little time together that she never completely knew
where they stood. They were lovers, but were they in love?
While the warm
water washed over her body, her thoughts returned to Tom’s sudden decision to
cut her runaway series. Every instinct in her wanted to fight him on this, but
the management had made up their mind, and there was not a damn thing she could
do about it. She would get him his “feel-good” stories. Hell, if Tom wanted her
to bend over and show her backside to the world, she’d do it. Whatever it took
to make the boss happy.
Hi, I suggest you open with action, show Kari wrapping up the morning news, show her making a mistake and how she immediately turns to Tom standing in the corner of the room to check his reaction, hoping he missed it. And when she sees his face frozen with anger, she feels that familiar acid rising up her to the pit of her stomach. So, first show us the dynamics of their jobs, later you can drop more clues about their job descriptions and power to hire and fire etc. Open up with tension and keep it going, giving us clues about Tom's demeanor, how he shakes his head slowly, wating for the commercial break to strut over to her and scold her. Good luck!
I think bloggedin had a good suggestion.
If I was to write this chapter, I'd probably start with Kari's conflict with Jeremy (action), show her frustration with him as she goes in front of the camera (or maybe he lets is lip about her show being cancelled) and her angst that her boss is watching. When she fubbs her lines, she can see the writing on the wall by Tom's expression. End the scene with her acting strong and setting a plan in place to achieve her goal. If continuing that series is her goal, she can't rollover because management does want it. She has to be determined and make them see that people do care and it's important to continue on.
Also, I think you have two bare bones scenes here. One is the work conflict and the other is the old boyfriend showing up. Why is his presence important? That has to be explained, not just told this is what happens next.
Just my opinion. I hope I've helped.
One more thing, Kudos to you for having the guts to put your first chapter up and asking for opinions and help. That really takes moxie, lady. I hope more offer their opinions.
Thanks Autumn and IB! Your suggestions for the opener is good, but it's the romantic conflict that my editor is having trouble with. The old boyfriend is the "hero" the man she could never forget, so I need to pump up her reaction to him, and not let them get along so well right from the getgo.
I think the comments are right on. You have put in too much back story and details about office politics. I'm confused about all these men in her life. At first, I thought Tom was going to be the romance. Then it sounds as though Jeremy will be the one. You mention George, and then there's Jake and finally Sean. Who should the reader be rooting for? Losing her "Lost Child" program and her sister is another important story and needs more time and space. Maybe save that for the next chapter.
Thanks, Jan. I didn't realize I had complicated the issue. All your comments everyone are greatly appreciated.
Hi there!
I agree with what Autumn said about the two separate bare bones scenes. Her suggestions made sense.
First, for me, make sure you start a chapter, or a novel for that matter, with action. You begin yours with dialogue, which works, but you slow the momentum immediately when you dump the info about Kari's job, and then add some of Tom's responsibilities in too. These details can be woven in later (very sparingly)
Also, why would she want to make Tom's life easier, "Even if he was firing her," as you said? That sentence contradicts some of the things she thinks later on.
She says: Dammit, she needed this job, and if Tom fired her, what would she do? She also mentions having a gladiator's spirit and plans on fighting for her job.
To me these sentences show some spunk.
I like the spunky Kari better than the one wanting to make a boss's life easier so he can fire her :] But you also want your heroine's character, her beliefs, her thoughts, her dreams to be consistent.
These are small things, easy fixes. Your a good writer and can make it work.
Also, watch your use of was. You tend to use it alot and its passive. Make sure your writing is active.
Example, you wrote: She looked into his eyes, hoping to see a little compassion. If it was there, it was well hidden.
You might instead write:
She studied his expression. If he felt any compassion, he hid the emotion well.
Just a suggestion:)
Hope this helps a little.
Have a great evening,
Tamara
Patrice, you got some excellent suggestions and comments. You might bring it back again for comments after you work on it.
It has real potential.
Patrice, I agree with Jan. I didn't understand who the hero is. I thought it was Jeremy, and found it an excellent conflict as they fight for te same job, but then you introduced Jack and then Sean, and you lost me.
If Jack is the hero start with the elevator scene where she's obviously upset and then show us her work problems.
Is Jack going to help her?
I forgot to say I love your voice. I don't think you lack emotion. I think you need to reorganize the paragraphs, remove the useless description, and concentrate on ONE problem.
Patrice,
I agree with everyone. All the conflicts are excellent but they're a lot to keep track of. Because the hero and heroine have a past, and she's working on the lost child story, maybe they had a child together that she was forced to give up because she was so young? I believe you mention that he's the first man she ever slept with.
BTW, you have a wonderful voice!
Thank you everyone for your suggestions. I appreciate the help, and will work on these details.