Showing posts with label Gone with the Wind. Show all posts
Showing posts with label Gone with the Wind. Show all posts


At Con-Jour, I was on a panel called Sympathy for the Devil: The Byronic Hero. It was an interesting conversation moderated by a professor of literature at the University of Houston.


Byron's first introduction of this type of character was in his epic poem, Childe Harold's Pilgrimage, published in 1812-1818. Emily Bronte, author of Wuthering Heights, was influenced by Byron. Byron was the model for the title character of Glenarvon by his lover Lady Caroline Lamb, and for Lord Ruthven in The Vampyre by his physician Polidori.

The Byronic hero is an idealized but flawed character exemplified in the life and writings of Lord Byron, characterized by Lady Caroline Lamb as being "mad, bad and dangerous to know."

Characteristics of the Byronic hero:

Arrogant
Intelligent and perceptive
Cunning and able to adapt
A troubled past
Dark secret
Sophisticated and educated
Introspective
Seductive and sexually attractive
Social and sexual dominance
Emotional conflicts
Exile, outcast or outlaw
Jaded, world-weary (has seen the world)
Cynical
Good heart in the end

This describes the hero in all of my works. I write about vampires and fallen angels, both of whom already have a dark secret, are bad boys and can definitely be dangerous to know.

In Sinners Opera, the hero, Morgan D'Arcy, is a British lord, a concert pianist and a vamire. All of the above characterists apply to Morgan--in spades! He must learn to balance his nature against his love for a mortal woman.

In Black Swan, the Byronic hero is Tristan. He runs away from the woman who knows what he is and loves him anyway, trying to escape the killer that, as a vampire, he inherently is.

A few examples of the Byronic hero: Edward Cullen in Twilight; the vampire Lestat; Heathcliff (Wuthering Heights); Lucifer (Paradise Lost); and both Rhett Butler and Scarlet O'Hara from Gone with the Wind.

Know any real-life Byronic heroes? Do you use the Byronic hero in your writing? I find them fascinating (obviously) but I'm not sure I'd want one in my life.








Ladies, please help me welcome Karen White, a southern writer who makes me feel at home in her southern novels. (I'm Georgia bred and Georgia raised.) Karen is a past president of Georgia Romance Writers. Ask her about her tiara.

Karen, when did the writing bug bite you?


After playing hooky one day in the seventh grade to read Gone With the Wind, I knew I wanted to be a writer—or become Scarlett O'Hara.

From her bio:

In spite of these aspirations, Karen pursued a degree in business and graduated cum laude with a BS in Management from Tulane University. Ten years later, after leaving the business world, she fulfilled her dream of becoming a writer and wrote her first book. In the Shadow of the Moon was published in August, 2000. This book was nominated for the prestigious RITA award in 2001 in two separate categories. Her books have since been nominated for numerous national contests including another RITA, the Georgia Author of the Year Award and in 2008 won the National Readers’ Choice Award for Learning to Breathe.

Karen currently writes what she refers to as ‘grit lit’—southern women’s fiction—and has recently expanded her horizons into writing a mystery series set in Charleston. Her tenth novel, The Lost Hours, was released in trade paperback by New American Library, a division of Penguin Publishing Group, in April 2009.

Karen hails from a long line of Southerners but spent most of her growing up years in London, England and is a graduate of the American School in London. She currently lives near Atlanta, Georgia with her husband and two teenaged children, and a spoiled Havanese dog (who appears in several of her books), Quincy. When not writing, she spends her time reading, singing, playing piano, chauffeuring children and avoiding cooking.

In mid-December, 2003 I finally received the call from my agent that I’d pretty much given up hope ever getting. She left a message on my answering machine saying that she had a two-book offer on the table from my dream publisher, Penguin Publishing Group.

I stood listening to the message about a dozen times, holding heavy bags of groceries, wanting to believe in her sincerity while the whole time picturing my long-suffering husband standing behind her while she made the phone call with a weapon pointed at her head.

Let’s back up three years to explain how I got to that point. Granted, it wasn’t technically my ‘first sale’—but for me, it was the first sale that counted. Most people who know me know my story—how I entered the first book I ever wrote into a contest and it ended up not only winning, but also garnering the attention of a literary agent who offered to represent me. My first sales were to two small publishers. At the time, I would have worked for free (and I just about did!) for the privilege of being published. My advances were small, my print runs and distribution even smaller. Still I was grateful, and pumped out four award-winning books of which I’m still very proud.

I was at least climbing the ladder of success, although my paltry print-runs and publisher non-support kept me firmly planted on the bottom rung. I felt as if I were going to the prom. Sure, my date was the dorky boy with pimples, but at least I was going!

And then even my foothold on that bottom rung was shaken loose and I crashed to the floor. My publisher dropped me, stripping me of confidence and pride. I couldn't sell a book for 2 ½ years. Even the dorky boy didn't want to take me to the prom anymore. I was humiliated, devastated and heartbroken. It no longer mattered to me that I’d published four really great books (as friends and family kept reminding me). At the time, all I could do was point out Tom Petty's song, Even the Losers (Get Lucky Sometimes).

I was inconsolable. St. Jude, the patron saint of hopeless cases, became my close companion and we'd talk every day. I even thought seriously about making voodoo dolls of certain New York publishing personnel and holding them over hot flames. I gave myself until December 31st of 2003. If I hadn’t sold another book by then, I was hanging up my word processor. I simply couldn’t bang my head against the wall any longer. On the day I received the call from my agent, my husband was on a business trip in New York. Before he’d left, he asked, “Is there anything I can get you while I’m there?” My despondent answer, “A contract.”

I supposed it was only natural, then, that when the call came from my agent later that day, I couldn’t help but picture my husband ‘influencing’ my agent into making an offer. We authors are a pessimistic bunch, after all. It was only after I’d calmed down enough to call her back that I learned the truth: my manuscript had earned the contract on its own merits and the publisher liked it enough to give me a contract for another book that wasn’t yet even a twinkle in my eye.

So, my advice for all of you writers who are waiting for ‘the call’ or have hit a bump? Have faith. Have faith in a higher authority that things are working out the way they should. Have faith in your abilities as a writer. Then go do. Keep writing. You can't sell that next book if it's not written. Read books out of your genre. Take a writing class to hone your skills. Help others. It takes the focus off of yourself for a while and makes you feel better. Hang out with your friends and people who love you. They are a marvelous buffer against the mean people out there.
I know that it's inevitable that I'll hit a rough spot in my career again. But I've found the survival basics I'll need to get through it the next time. Remember: have faith. And voodoo dolls couldn't hurt, either.

For more info check out

http://www.karen-white.com

Karen will give away a copy of The Lost Hours to a lucky commenter. Comment and ask questions! The Comment button is at the top of this entry.