Showing posts with label strengthen your writing.. Show all posts
Showing posts with label strengthen your writing.. Show all posts

Today, I'd like to discuss the element of time, in writing.

The statement below was made by a reader on a book discussion list to which I belong:

"After Paris it all began to fall apart for me. A lot of skipping around—unexplained time periods went by that didn’t make sense. He was in Puerto Rico, running for his life. Then he was beaten in New York. In the next scene, the heroine was upset because he was gone for months, but the timeline did not support her feelings.” (Disclaimer: The locations in this passage have been changed to protect the author.)

Did you hear her frustration with the author's work? I did.

Have you read a story which made you stop and wonder either how much time had gone by or how did a claimed span go by so fast? I’ve read stories where the time lines were totally off.

I remember in one book while the clock stuck midnight on New Year’s Eve the heroine wondered how she would provide for her unborn child. She thought this while stroking her flat stomach. Because of one missed period, she’d taken a pregnancy test earlier in the day. Pages later, it was spring and she gave birth to a full-term health baby boy. Spring stopped me. The seasonal identifiers didn’t fit the timeline of a normal pregnancy. The story, which had drawn me in, lost me right there. The author hadn’t done her job.

I’ve also read stories where the author didn’t use any time descriptor words or phases such as the next day, or later that morning, or years passed before. Which can leave the reader feeling lost.

Here's another example: Jonathan’s jaw tightened before he turned and slammed the door. (End of Chapter. Next chapter begins.) Jonathan didn’t know what to expect when he opened the door. The whole house was barren. Everything he’d owned was gone.

As the reader, do you know how much time has gone by? No. Jonathan could’ve closed the door and reopened it in peek-a-boo fashion for all we know. Which if he did, this story would have paranormal or psychological-thriller elements. But if our hero had been gone for days, weeks or months, we would see an emotional conflict.

How do you ensure a proper time flow for your story? Map it out. Draw a line. Write the important events that happen to your characters along the line and then chart in seasonal bits and pieces. If your hero is going to be gone for six months and he leaves in July, when he returns in January the weather, food, etc. should reflect the month’s setting in the area.

Also, remember to ground your readers by using time related phases.

Example: There was no more to say. Jonathan’s jaw tightened. He stalked out and slammed the door behind him. The next morning when he returned home the entire house was empty. His life had disappeared overnight.

See the difference?

"Ly adverbs are bad! Off with their heads!" The self-appointed writing style police bellow. (I could have said yell loudly and watched the critters scream and have fits.)

"Wait," I cry. "Not all words ending in ly are adverbs. " (Have you even had anyone go through your writing and cross out all ly words?)

The glower of the" words we can use" rule makers makes me shiver.

"Lonely is an adjective. Lovely and shapely are adjectives. Adjectives are good, aren't they?" I ask.

"NO!" the style police insist. We must kill ly adverbs. Since some people can't tell their adverbs from their adjectives, we'll kill them all! (the words, not the people)(Hmmm, )

Wait just a minute. We have adverbs and adjectives for a reason. I do feel overuse of anything can weaken writing, as too much salt or garlic can ruin a great sauce.

So, if you realize you have used too many ly adverbs, you might want to replace some of them.

Look below for ways I'd suggest.

He ran angrily from the room .

maybe

He stormed from the room.

Don't use an adverb when the meaning is clear without it.

He yelled resentfully. If the resentment is clear, you don't need the adverb.

See if some of the adverbs should be adjectives.

Resentful, he yelled.
Angry, he ran from the room.

He spoke quietly.
could be
He whispered.


Suddenly could be omitted or become in an instant.

Shaking, she waited for Buck to pass her hiding place.

So, when you are polishing or editing your writing, consider this.
If you have a lot of ly adverbs, you probably don't need them all.
Not all verbs need an adverb.
Vary sentence structure, but be careful to make sure your modifiers modify something in the sentence.

If you didn't read the Friday's post, do it now and comment, please.