Showing posts with label Cattitude. Show all posts
Showing posts with label Cattitude. Show all posts


Good morning, Edie! This brave woman has gone the self-publishing route for two books! You must read this blog and learn why I would call her generous, as well brave and tenacious!


A huge thank you to Mary Marvella for inviting me to blog at my favorite Pink Fuzzy place today. And thank you to the other Pink Fuzzy ladies who are always so welcoming!

I’ve written about more than one character who has a heart so full it puffs up like a balloon. That’s how I’ve felt for months now, and I swear my heart is actually getting bigger. I’ve self-published two books and one short story, and I didn’t do it alone. It took a global village. I’ve named names before from my own personal Wall of Heroines and a couple of Heroes. But I’d like to add reviewers to my global village.


Karin Tabke (who’s high on my Wall of Heroines) recently blogged at Magical Musings about having to go off-line and ignore her emails, stop commenting on blogs, and practically disappearing from Facebook. Why? Because she has deadlines and just can’t do it all.


Her deadlines are contracted, and my deadlines are self-imposed. Though my book comes first, it’s important for me to have an online presence. There are thousands of indie authors uploading their books every day. I need to get the word out about my books. Even so, I still can’t do it all.


I took a few forays into Kindle boards and Kindle Nation, and it was confusing and a bit scary, like driving in a strange city at night and running into a round-about. I’ve guest blogged on friends’ sites (a SMOOCH to Mary for having me here so often). I like blogging, and that works better for me.


Another way to get the word out is to send review requests to reviewers. So a HUGE thank you to reviewers. So far I’ve gotten either really good or great reviews for CATTITUDE and my newest book DEAD PEOPLE. It’s gratifying and a big relief.


We writers do a scary thing. We put our stories out there, and this is all so subjective. Not everyone likes the same stories. And it’s scarier for indie writers. We don’t have an agent or an editor backing us. Sure, I get great comments from my CPs and beta readers, but having people who don’t know me say they love my books… That’s a pretty good feeling.


My husband and I have a decorated tree with sparkly lights, and it’s like having a bit of magic in our family room. Every time a writer sits at the keyboard and make up sentences, it’s another kind of magic. And every time someone says they appreciate what we do, that’s another kind of sparkly light.


Besides Karin Tabke, another name on my Wall of Heroines is Dale Mayer. Dale is a single mom who’s raising four children and actually supporting them by her writing income. We all know what a miracle that is. She’s in my GIAM group, and her recaps make me look like a slacker. But she’s always positive and always ready to help another member out.


Dale is one of six remaining finalists in the RT/Kensington Writing With The Stars Contest. This is the third round, and the voting is on the blurbs. Of course, I think the best one is Dale’s. The winner gets a publishing contract, and I hope you’ll check out the blurbs and vote.


Who’s on your Wall of Heroines / Heroes?


Edie Ramer

http://www.edieramer.com







Hard facts about hard cash


Please welcome Edie Ramer who has some interesting information about self publishing. I know she'll surprise you with what she has found.


A big thank you to Mary for having me as her guest today. As an indie author, with Cattitude http://edieramer.com/books/ so recently out, I’ve been asked how much money I’ll make per book. I can tell people that’s 70% per book from Amazon (if it meets certain criteria, which mine did). Or if someone buys directly from Smashwords, it’s 85%.


I wasn’t able to tell people more, because that’s all I knew. That’s not good, because I should know how much money I’ll be getting. It’s a business, not a hobby. One of these days, I hope to make decent money. I’m looking forward to the time when I have to pay a lot of taxes.

That means I’m making a lot of money.


I was happy to see this post by Mike Shatzkin http://www.idealog.com/blog/the-other-comparison-ebook-royalties-versus-ebook-self-publishing giving numbers and percentages and showing them in examples of dollars and cents.


Here’s what he said:

“Smashwords pays authors 85% of the sales price for ebooks sold on its own site, and about 85% of the receipts for sales made through iBooks (Apple), Sony, B&N, Kobo, and the Diesel eBook Store. In other words, an author would get more than three times the “old” standard 25% ebook royalty offered by the big publishers and double the “new” possible 40% royalty implied as the new ceiling by the Random-Wylie agreement announced last week.”


In other words, because Smashwords gets 15% for formatting and distributing, your net is 85% of the following percentages:

B&N, Sony: 42.5%
Kobo: 46.75%
iBooks, Diesel: 60%


I’m charging $2.99 for Cattitude (less than the cost of a cup of coffee!). Here’s the breakdown of what I’ll get per seller:

Amazon: $2.04 (they charge 6 cents for delivering to the buyer through Whispernet)

Smashwords: $2.54

Barnes & Noble, Sony: $1.08

Kobo: $1.19

iBooks, Diesel: $1.55


Compare that to what Shatzkin says an author would get from an e-book sold as an ebook by a print pub:

“On a $9 list-price ebook, the author would be getting $1.125 from a wholesale publisher and $1.575 from an agency publisher at 25% royalty; $1.80 and $2.52 at 40%.”


I hope your eyes aren’t crossing, because there’s more. This is what Joe Konrath said in the comments of this blog https://www.blogger.com/comment.g?blogID=11291165&postID=4781617604822572566:

“With a $7.99 paperback, you're getting a tangible item that can be put on a shelf or resold. The cost of that item compensates the artist, the publisher, the distributor, the bookseller, and all the overhead and costs along the way. The artist earns 64 cents on a $7.99 paperback.

On a $2.99 ebook, the item is intangible. It has no resale value. There are no costs for printing or shipping or warehousing.

Yet the artist earns $2.04--more than three times the royalty for a paperback.”


After you comment, go and read that blog. It’s an eye opener in other ways.


It sounds like I’m bashing print publishing, and I’m not. I love print books, and many of my friends are print writers. But now that I have my Kindle, I’m more likely to buy on it because of the convenience. And, yes, sometimes it’s cheaper. (Not always. I bought Deadly Fear by Cynthia Eden on my Kindle. It’s $6.99 on Amazon in print or e-book or if you bought it at a store. But I love her writing, so I bought it anyway.)


And would I sell to a print publisher? Oh yes. In fact, hell yes! But I’m not as needy as I was before I self pubbed. I won’t come to the table hungry. The terms would have to be good for me to say yes.


This isn’t my usually perky blog, but I hope it was informational. Feel free to ask questions or to give your opinion, pro or con. My feelings won’t be hurt.


Edie Ramer

http://edieramer.com

http://twitter.com/edieramer

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