Margie Lawson —psychotherapist, writer, and international presenter— developed innovative editing systems and deep editing techniques for writers. She teaches writers how to edit for psychological power, how to hook the reader viscerally, how to create a page-turner.
Thousands of writers, from newbies to bestsellers, have learned Margie’s psychologically-based deep editing material. In the last five years, she presented over fifty full day Master Classes for writers in the U.S., Canada, Australia, and New Zealand.
For more information on Margie’s lecture packets, on-line courses, master classes, newsletter, and the 3-day Immersion Master Class sessions offered in her Colorado mountain-top home, visit: www.MargieLawson.com.
NOTE: I included a promo piece for Brenda Novak’s Diabetes Auction below the blog. You’ll see my diabetes auction donations – that include:
A WRITE AT SEA CRUISE
A FLYING GETAWAY
An IMMERSION MASTER CLASS
Fun! Fun! Fun!
PLUS -- More fun!
Check out the cartoon Dare Devil Dachshund Contest on my web site. You could win one hour of my Deep Editing brain. www.MargieLawson.com
THANK YOU!
A big Colorado bear hug for Autumn Jordon for inviting me to have fun with Pink Fuzzy Slippers today. Thank you!
No Cookie Cutter Characters:
Use Your Multiple Personalities!
By Margie LawsonWe all know writers are quirky. I believe writers have multiple personalities too.
Not at a clinical level.
Not at a need-to-be-hospitalized-in-psych-ward level.
But definitely at a Ha!-I-can-use-this-part-of-me-I-didn’t-know-or-barely-knew-existed level.
Writers have multiple creative selves. They can dig deeper and deeper and deeper, and tap some amazing personalities to enrich their stories.
NOTE: I used the power of Deep Editing nine times in the fifty-one word opening of this blog:
1) Rhetorical Device: Epistrophe – ending three or more phrases or sentences in a row with the same word or phrase
2) Rhetorical Device: Polysyndeton—using the same conjunction multiple times in a list of three or more words without any punctuation
3) Two Hyphenated-Run-Ons -- easy to spot ;-)
4) Creative Paragraphing – Creating White Space – which picks up pace
5) Power Words: quirky, multiple personalities, psych ward, amazing, enrich
6) Backloaded: quirky
7) Specified what something was NOT
8) Sentence fragments
9) Cadence
Was that opening smooth?
Was it written in a compelling style?
Did it make you want to read more?
You may not be a fan of hyphenated-run-ons (my term). No worries. Don’t write them!
If you learn how to apply, tweak, and amplify my deep editing techniques, you’ll have hundreds of new tools in the deep editing drawer of your writer’s tool box.
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Hmm . . . Let’s see a blah version of the opening.
Writers could use more of their personality to create more interesting characters. They may not know they have these other selves within them. It doesn’t mean they’re crazy, but they could learn to plumb the depths of their personality to add fodder to the character building process.
BLAH. BLAH. BLAH. CLICHÉ, CLICHÉ. BLAH. BLAH. BLAH.
Now – we’ll return to the hopefully-not-blah blog. I’ll rewind and rerun the opening.
If you want to tune your CADENCE EAR, you could read it out loud.
We all know writers are quirky. I believe writers have multiple personalities too.
Not at a clinical level.
Not at a need-to-be-hospitalized-in-psych-ward level.
But definitely at a Ha!-I-can-use-this-part-of-me-I-didn’t-know-or-barely-knew-existed level.
Writers have multiple creative selves. They can dig deeper and deeper and deeper, and tap some amazing personalities to enrich their stories.
Writers usually infuse their main characters with personality traits that are engaging or enraging.
Sometimes they stick a trait on a character like they are pinning the tail on the donkey.
Hee Haw!
The personality trait may be close to the right fit. But like George Clooney’s suit, it better be meticulously tailored.
How do you tailor a personality trait for your character?
You try on that character’s personality. You audition that trait.
You consider how that trait could have initiated, what needs it meets, how it developed, how it morphed, and always, how it impacts all facets of their personal and professional life, career choices, interests, relationships . . .
Writers can use METHOD ACTING to boost emotional authenticity.
Method Acting is a psychological approach to acting.
Gee – Those who know me won’t be surprised that I’m recommending an approach that is psychologically based.
Method Acting involves having a performer tap their memories and experiences and use them to access emotions. Use them to make the character’s speech and movements emotionally credible.
Method Acting includes relaxation, sense memory, concentration, affective memory, moment-to-moment, and the magical ‘What if?’
With Method Acting -- on stage, the actors are not portraying stereotyped roles.
With Method Acting -- on the page, characters are not portraying cookie cutter personalities.
Writers are motivated to put creative energy into developing their main characters. What about the others?
How could you make your support characters more authentic? More real on the page?

Think multiple personalities. Think Method Acting. Think missed opportunities.
What happens if you have a typical support character deliver typical dialogue lines, wear typical clothes, move in typical ways?
The typical reader will skim.
Beware that you don’t make a support character so fascinating that they are too prominent. Writers need to create the right balance to be sure the wrong character doesn’t steal the page or steal the scene.
Like actors, all characters can be vital cast members. There are no insignificant actors. If an actor has a role, he should own that role and be that role as directed.
There are no insignificant characters. For every character in a book, the writer has to own the character and own the directing role too.
I was impressed by an interview with award-winning actor William Hurt on National Public Radio. One comment stuck in my mind like the tail on that donkey.
William Hurt said that an actor in one of his scenes complimented Hurt on his acting. Hurt was disappointed. Disappointed.
Hurt said he was disappointed because actors should be so immersed in owning their roles, that they can’t separate themselves from that role to observe the scene.
No cookie cutter actors going through their lines in a scene with William Hurt. He expects full immersion. He expects them to live in the character’s skin.
Have you imagined living inside each of your characters?
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Crush your cookie cutters. Dig into the cookie dough to sculpt your characters.
Access your multiple personalities. Give your characters a presence on the page that boosts your writing toward a bestseller list.
Copyright © 2010 by Margie Lawson. All Rights Reserved.
NOTE: I used several more Deep Editing techniques in the rest of the blog. Did you notice them? Feel free to post one or two!
WRAPPING UP:
It’s your turn! Chime in.
Post a comment –or tell me Hi!
YOU COULD WIN A LECTURE PACKET!
The winner may choose a Lecture Packet from one of my six on-line courses.
I’ll respond throughout the day as my job allows and be back on the blog again tonight.
I’ll draw the name of the WINNER at 9:00PM MountainTime. I’ll post their name on the blog about 9:30 Mountain Time.
PLEASE KEEP READING!
I am teaching Empowering Characters’ Emotions on-line in March.
With over 300 pages of lectures, it covers body language and dialogue cues—and teaches writers deep editing techniques.
The registration deadline for Empowering Characters’ Emotions is Feb. 27th.
You can access links to register for my on-line courses from the home page of my web site. www.MargieLawson.com
FYI: If an on-line course does not fit your schedule, Lecture Packets ($22) are available through Paypal from my web site. Thank you.
BRENDA NOVAK’S DIABETES AUCTION!
NYT Bestseller, Brenda Novak, donates an amazing chunk of her life to fundraising for diabetes research. She gives months of her energy, creativity, and what would have been writing time, family time, self-time to her DIABETES AUCTION.
For writers – it’s a warm-your-heart win-win. Bid on one of the hundreds of items, support diabetes research, and you may win an experience that changes your life.
If you're not familiar with this auction -- it's a gold mine for writers!
My husband and I love to support the Diabetes Auction. With over 1000 donations, if I don’t mention our donations . . . you might miss them.
Yikes – a Missed Opportunity!
Margie’s Donations:
1. A set of six Lecture Packets
2. A 50 page Triple Pass Deep Edit Critique
3. Registration for a Write At Sea Master Class
by Marge Lawson on Deep Editing Power, April, 2011.
Donation by Margie Lawson and Julia Hunter.
4. A FLYING GETAWAY FOR TWO
You select the destination – any place within 600 nautical miles from Denver.
A weekend, you and a friend, plus my pilot-husband flying our four-seater plane, me, a night in a hotel, and a two-hour deep editing consult. The consult is on the ground, not while we’re flying. ;-))
5. Registration for an IMMERSION MASTER CLASS session!
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A $450 value . . .
The three-day Immersion Master Class sessions are designed as a personalized, hone-your-manuscript experience focusing on deep editing. The sessions are held in Margie’s log home at the top of a mountain west of Denver. Participants will concentrate on transforming their manuscript into a page-turner. The winner may attend a session in the fall of 2010 (depending on availability), or one of the four sessions offered in 2011.
THE DIABETES AUCTION runs from MAY 1ST to MAY 31ST. You can tour the
Diabetes Auction site now. http://brendanovak.auctionanything.com/
Brenda Novak is my hero. What a way to give back.
Thank you for joining us today. I appreciate your time.
All the Best…………….Margie
www.MargieLawson.com